Saturday, January 31, 2026 at 8:00 PM

Haruka joins the SFCMP in presenting American Reflections: Fire - and Lightening. Feel the heat rise from music that sparks, crackles, and shines with brilliance.

Viet Cuong — Electric Aroma
Lightning-fast harmonic shifts leap from one tonal center to another in dazzling progression.

Elizabeth Ogonek — Lightenings
Inspired by Seamus Heaney’s poetry, this radiant work reflects on childhood, nature, and metaphysical wonder, drawing on the ancient hymn Phos Hilaron.

Chen Yi — Fire (West Coast Premiere)
Elemental and human forces collide in this work of tension, transformation, and release.

Justin Weiss — through depths and shadows (West Coast Premiere)
A musical journey into Jackson Pollock’s The Deep, peeling back layers of sound and meaning in continual exploration.

Elliott Carter — Mosaic (West Coast Premiere)
A fiery tribute to harpist Carlos Salzedo, whose virtuosity reshaped the harp’s voice for a new century, performed by harpist Amy Ahn.

Fire—and Lightening ignites the stage with elemental power, radiant poetry, and electrifying virtuosity.

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Tuesday, November 11, 2025 at 7:30 PM

This SFCM program is curated and co-directed by percussion faculty Jacob Nissly and Haruka Fujii. Percussion Ensembles Recitals showcase performance departments through its students. Featuring various students and repertoire, and curated by the faculty, performances in this recital highlight SFCM programs and the wide range of study.

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Sunday, November 2, 2025 at 4:00 PM

Creative director Haruka Fujii, percussionist and composer, looks forward to welcoming you at the Gray Area Grand Theater for Nippon Kobo Vol. 2. This season-opening event will showcase a chamber music program by Japanese composers, real-time calligraphy performance by Aoi Yamaguchi, and a special talk by Miryam Sas (Professor of Comparative Literature and Film & Media at the University of California, Berkeley). The program spotlights the world premiere performance of a new work by Hiroya Miura for chamber ensemble and calligrapher. Along with leading Japanese artists, local musicians, creators, and entrepreneurs, we look forward to sharing the Japanese aesthetic of Ma.

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Friday, October 17, 2025
Panel at 7:00 PM, Concert at 8:00 PM

A panoply of composers will assemble for the 29th Other Minds Festival in San Francisco, an international annual showcase for composers held at the Brava Theater Thursday–Sunday, October 16–19, 2025. Join us for multi-generational musical connections, multimedia masterpieces, and contrasting takes on the fusion of gamelan and American musical traditions.

Composer Samuel Adams will present a set of solo and chamber pieces performed by Friction Quartet, violinist Helen Kim, percussionist Haruka Fujii, and pianists Conor Hanick and Sarah Cahill. Adams’ piece commissioned by Cahill, which will receive its world premiere, is a tribute to his mentor Ingram Marshall (1942–2022), who is also represented on the program with a performance of Dark Waters for English horn by Libby Van Cleve.

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Haruka joins Jaron Lanier—a musician, computer scientist, visual artist, writer, technologist, and futurist who is considered a founder of the field of virtual reality in Music & The Future of Humanity along with the Free Waves trio, Tim Jackson and Zack Olsen, singer/songwriter Harper Simon, and members of the Santa Cruz Symphony.

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Curated for audiences of all ages—from children to seniors, this admission-free concert warmly invites people of all backgrounds to join the Nippon Kobo family and experience the beauty of melody, rhythm, and stories from Japan.

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Nippon Kobo’s Spring 2025 event, featuring the collaboration between the Bay Area local String Quartet, Del Sol Quartet and Sake Masters. Haruka will be joining the world premiere performance of her composition, Divisions.

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“Strident, strange and often violent but also full of exuberance and joy, “Tell es-Sakan” (Hill of Ash) is a protest, pacifist, concert-length piece for string quartet and percussion. Intended as a ballet, motivated by the current war in Gaza, and named after the oldest known settlement in the area, it follows on one side a couple that meets, falls in love, vows trust to each other, and on the other the War Machine, an ominous presence that eventually takes over in a fury of destruction. The piece comes from a place of sorrow and yearning for a better human future.”
–Davide Verotta

Played by the Friction String Quartet, and Haruka Fujii and Anne Szabla, percussion.

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Sunday November 24th, 2024 at Brava Theater, San Francisco

Haruka joins SFCMP program with music that harnesses the power of the female voice. A world premiere by up-and-coming composer Emma Logan, West Coast premieres by Laura Schwendinger and Augusta Read Thomas, and music from San Francisco’s Mary Kouyoumdijian showcase these sonic narratives about women, by women.

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November 15th 2024

“American Railroad” The album is out Nov. 15 on Nonesuch Records and the single “Swannanoa Tunnel / Steel-Driving Man” is out now.

The album is the culmination of four years of research, collaboration, and music-making, having brought Silkroad artists all across the United States to uncover and uplift the stories of those who built the transcontinental railroad and connecting railways across North America. My composition, Tamping Song is a song to celebrate the contribution of Japanese immigrant railroad workers.

“Swannanoa Tunnel / Steel-Driving Man” is a tribute to the ghosts of the hard working men who gave their lives building the Swannanoa Tunnel in North Carolina, whose stories have been forgotten and words claimed not as their own. It ends with a version of the popular traditional tune “John Henry” or “Steel-Driving Man,” about the folk hero John Henry, who beat the steam drill with his hammer, only to die of a burst heart. 

Also, please support the people who have recently lost everything in Swannanoa, NC in Hurricane Helene - here are places to give:

Appalachia Funders Network https://www.appalachiafunders.org/

World Central Kitchen https://wck.org/search/tag/north-carolina

Operation Airdrop (Concord, NC) https://www.operation-airdrop.com/hurricane-helene

Beloved Asheville (Asheville, NC) https://belovedasheville.com/get-involved

October 24th, 2024 7:30pm Toronto, Canada

The Fujiis are back in Toronto after 10years, for the reprise of Letters to God by Akira Miyoshi, and works by luminary composers of Japan and Canada, along with dear friends, Soundstreams Choir 21, The Canadian Children’s Opera Company , Gregory Oh, piano and Ryan Scott, percussion.

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An exciting project with The San Francisco Girls Chorus Premier Ensemble, featuring a program for a girls choir and percussion, including the world premiere of Haruka’s new composition.

May 19th, 2024 @3pm

Caroline H. Hume Concert Hall, San Francisco Conservatory of Music

tickets are on sale soon. more info

Haruka joins AWS for an evening of music by “our greatest living composer,” Steve Reich. The program celebrates the 50th anniversary of Music for 18 Musicians, perhaps the most influential minimalist work of all time and also includes Clapping Music, Vermont Counterpoint, and Radio Rewrite.

April 13th, 2024 @8pm

The Clarice Smith Performing Arts Center, College Park, MD

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Haruka collaborates with Friction Quartet and Nancy Karp +Dancers on Sundial by composer Sam Adams

April 6th, 8pm and April 7th, 3pm

Atrium Theater, San Francisco

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Silkroad Ensemble with Rhiannon Giddens performs at Big Ears Festival in Knoxville, TN.

March 24th, 2024

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San Francisco Contemporary Players presents a program - RE:visitations - with works by Mazzoli, Andriessen, Mackey, Boulez and Zappa.

Jan 24, 2024 Sat @8pm

Caroline H. Hume Concert Hall, San Francisco Conservatory of Music

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A triologue by Kinan Azmeh on clarinet, Haruka Fujii on percussion and Karen Ouzounian on cello, Noe Music presents a musical gathering of three likeminded composer-performers who are inspired by a multitude of traditions without being limited by any of them. This powerhouse trio of members of the Silkroad Ensemble will present a musical conversation through the exchange of melody, rhythm, and stories from all their cultural backgrounds — Syria, Japan, Armenia and beyond — in musical genres ranging from folk song, improvisation and original composition to contemporary classical music.

Jan 14, 2024 Sun @4pm

Noe Valley Ministry1021 Sanchez StreetSan Francisco, CA, 94114United States (map)

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Joining an one-off trio with the two iconic artists of the Bay Area, Jaron Lanier - an American computer scientist, visual artist, computer philosophy writer, technologist, futurist, and composer of contemporary classical music - and the legendary percussionist William Winant.

Dec 10 Sun @ 3pm

Miwok gallery, Half Moon Bay, CA

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Joining San Francisco Symphony’s Soundbox, curated by a dear friend Mazz Swift. The program will include a couple of Haruka’s compositions. The detail to be revealed at the show!

Dec 8 Fri and 9 Sat @9pm

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Jacob Nissly and Haruka Fujii co-direct San Francisco Conservatory of Music Percussion Ensemble, featuring works by Jlin, Jennifer Higdon, Ivan Trevino, Chris P. Thompson, and Danny Elfman.

Nov 28 Tue @7pm

Caroline H. Hume Concert Hall, 50 Oak Street, San Francisco, CA 94102

Musubi Trio by Beni Shinohara on violin, Ráyo Furuta on flute, and Haruka Fujii on percussion, presents melodies, rhythm, and harmony from and inspired by Japan.

At Throckmorton Theater, 142 Throckmorton Avenue, Mill Valley, CA 94941

Free Admission, secure your seat!